Friday, 30 November 2012

more credits


The other day I noticed something about the superman opening credits. They are very similar to the ones from Fireball XL5, which I have previously looked at. I thought that the people who mad Superman may have also been inspired by those closing credits.

 
The ones for superman returns are even more like it though with more planets.

They were also parodied in the film, Frequently Asked Questions about time travel. I can’t find a clop on youtube for that though.

Saturday, 24 November 2012

Screenwipe




Charlie Brooker did a series on BBC4 called screenwipe where he looked at TV. One episode from series three he talked to various different writers. It’s given me some good tips on how to do my script better and how to go about writing it. Graham Linehan is one of my favorite comedy writers. He is responsible for such things like Father Ted and Big Train. He is interviewed on the program and listening to him it sound like he approaches writing in the same way that I do.
 
After watching this, I came to the conclusion that there is no one way to write something, everyone has there own way of doing things. Lot of what these writers say contradicts what the other says. In Briton, sitcom writers tend to write in ether pairs, or on there own. In America, someone will come up with an idea and then a team of writers will be hired to write for the show. That’s one of the reasons American sitcoms go on for maybe 10 series and maybe have 20 episodes in each series, or season as the Americans call them, while British sitcoms might only have 2 or 3 series with 6 episodes in each. I much prefer British ones, they aren’t as in your face, and they are much more subtle. Also, as they have the same writers for the whole series, they have more of a consistent tone.

Thursday, 22 November 2012

Casino Royale: the basic story part one


James Bond was a secret agent. He was sitting at a table playing cards with a pale faced, clean shaven asthmatic man with red-brown hair, brown eyes, false teeth, a woman’s mouth, and very small ears.

This man was Le Chiffre; he was paymaster for SMERSH, a group of generally nasty people whose money Le Chiffre had been gambling with. Bond had been sent to Casino Royal in northern France by M, the head if the secret service, to play a high stakes poker game in order to leave Le Chiffre penniless, and in the bad book with  SMERSH who would very likely send him to the naughty step to think about what he had done. On the other hand, if Bond were to lose, the government would have funded an international terrorist organization.

Bond was an “00” agent, who at any time was expected to kill in cold blood. There were only three with that rank in the secret survive, but instead of sending Bond to kill Le Chiffre, they decided it best to send him on a mission to play cards because they were both good at that too.

 

Bond was feeling tired now, he had been playing all day. He decided he’d call it a night so went about leaving the casino. He had assessed how easy it would have been to rob the place in the past days he had been there, and also the playing habits of Le Chiffre. He had come to the conclusion that Le Chiffre wouldn’t try robbing the casino. With his asthma he’d probably run out of breath on his getaway.

Once in his room Bond started checking all his little makeshift security systems. The single strand of hair on the draw of the desk lay undisturbed. The talcum powder on the cloths cupboard door, immaculate. Inside the toilet system he had scratched a mark on the copper ball-cock, just to check the water was the same level. You would think this all to be all rather odd behavior, especially that last one. But this was the usual thing to do if you were a spy. See, not so glamorous now is it? Spies are a little OCD, and very paranoid characters. They think everyone is out to kill them. But in all fairness, there probably are a number of people out to kill them.

Satisfied that no persons of an uncouth nature had had the nerve to relive their selves in Mr. Bond water closet, he sat looking out his window for a while, then stuffed a wad of banknotes under his pillow, as that is a very secure place, and went to bed. His last act before drifting off to sleep was to slip his hand under his pillow, and rest it on the butt of his gun.

 
The plan to take down Le Chiffre had been handed to M by the head of S, who concerned themselves with the Soviet Union.

“Now look here Bill,” he had said to Ms chief of staff, “I want to sell something to Chief.”

“What do you think Penny?” Bill had asked Ms Secretary Miss Moneypenny, a well loved character who did not appear in the 2006 film adaptation.

“Should be alright.” she had said. The head of S handed Bill an envelop with a red star on it, indicating that it was top secret. Bill pressed a switch on his desk and spoke into an intercom.

“Yes,” came the voice of M.

“Head of S has an urgent document for you.”

“Bring it in.” Bill crossed the room and walked through the door leading to the big mans office. A moment later he came out and a little blue light over the entrance came on as a warning that M was not to be disturbed.

 

Later, the head of S said to his number two man in a triumphant sort of way:

“He said that last picture was supervision and blackmail, it nearly got us cooked. He approves, though he thinks it’s a crazy idea.”

“Well I am incline to agree.” Said his number two man.

“How so you mean?”

“Well we know Le Chiffre is paymaster to SMERSH don’t we?”

“Yes.”

“We also know he’s a formidable and dangerous agent of the U.S.S.R.”

“Yes.”

“He carries razorblades in his hatband, and has no first name, a clear indication that he’s an agnostic to us.”

“Yes, so what is your point?”

“Well, can’t we just go and arrest him now? Wouldn’t that make more sense than to gamble with the possibility of lining his pockets with the taxpayer’s money so that he doesn’t get in trouble with his bosses? Or just kill him ourselves. I mean we are sending in a “00”, they are trained to just kill in cold blood.”

“No, assassination is pointless. Leningrad would just quickly cover up his defalcations and make him a martyr.”

“So? I still don’t see…”

“We’re just doing it this way alright? It’s more interesting and fun. I'm the boss here, and I want to do it this way.”

“Ok then sir, I suppose it’s your train set.”


This had happened two weeks ago now, and James Bond was now two days into his stay at Hotel Splendide reminiscing about the history of the case thus far.

He had spent most of his stay in the casino with the cover of a Jamaican plantocrat, and had made three million francs.

This morning after breakfast he recived a phone call telling him that the Director of Radio Stentor was here with the wireless set he had ordered from Paris.

“Of course,” Bond had said, “send him up.”

Soon Bond was joint by Mathis, the liaison man for the Deuxierne Borcan. Director of Radio Stentor was the cover he had been given.

“Here is the set you asked to have on approval – five valves,” he said to Bond.

“Sounds alright.”

Mathis turned on the set to full volume and pointed to the ceiling.

“My dear friend, you are blown. Up there either Monsieur Munztz or his wife are listening to you. Hopefully right now defended by the set.”

Bond made a face, they carried on play acting for a bit before they got down to busyness.

“Your number two will be here soon, she is very beautiful.”

“Why do you want to send me a bloody woman for?” bond frowned, “you think this is a picnic?”

“Calm yourself my dear James, she is as serious as you are, and as cold as an icicle. She speaks French like a… well Frenchman and knows her job backwards. I have arranged for a meet. It’s only natural that a man with a cover like yours should pick up a pretty girl.”

“Any other surprises?”

“Nothing much, just come to the Hermitage before lunch for the meet. Then onto the Casino in the evening, with her. I’ll be in the background keeping an eye on you, and there’s an American the CIA sent over by the name of Leiter, London told me to tell you. He might come in handy.”

Mathis then turned off the set. He and Bond exchanged pleasantries about the tone of it and how Bond may want to purchase one. Then Mathis left Bond alone to think. Nothing that had been said to him had sounded good. His cover had been blown the moment he had arrived two days previously, and at this moment people were listening to him. Then there was this pest of a girl who had been sent over. A woman there would only complicate things with their feelings and emotions.

”Bitch,” Bond said out loud, then “bitch,” again.

Upstairs, Madam Munztz was listening in on Bond and wondering what the Director of Radio Stentor could have possibly done to warrant Bond calling him bitch after he had gone.

Wednesday, 21 November 2012

A digested read of Casino Royal

Today I’ve been doing what my tutor Sam suggested, “try a 'digested read' of a particular story - but in your own style, rather than mimicking the author's.” So I’ve decided to do Casino Royal as it’s a book I really enjoyed and also have recently read. As I am going to be doing it in my own style, I’ve decided to go through and pick it apart to try and point out some of the silly things in it. on How It Should Have Ended they do this with films, and did it to the 2006 adaptation of Casino Royal.

Monday, 19 November 2012

Re-doing my story

I'm now writing it in story form and have briefly looked at John Crace online; I will look more at him tomorrow.
At the moment I am reading Moonraker, the third James Bond novel, I’ve also read all the Sherlock Holmes books, so I'm going to see if I can drew any inspiration from those as well as carrying on looking at superhero films and comics, breaking them down, and analysing what traits they all follow.
http://www.guardian.co.uk/profile/johncrace

I’ve also read other series, like the Dirk Gently books, and The Hitchhikers Guide to the Galaxy.  I’ve also read 25 Robert Rankin novels, but these are already humorous books, so I think although they will be useful, the more serious books would help. The script for the film Airplane! Was taken from a real disaster film, and they added the jokes after. I thought I might try that approach too.

Tutorial ii: THE SCRIP REVIEW


Today I had another tutorial with Sam and then went home and summarised it. He then set me some deadlines.

 
Student Notes:
Today we looked over my script and talked about how it could be improved and formatted. We discussed that there was a general theme of silliness and poking fun at things, but there needed to be more of a backbone to the story. There was one there, but we both felt it lacked substance so needed to be stripped back and looked over. You suggested I looked online at some classic stories and take inspiration from those plotlines. Also to look at the Guardian writer John Crace.

I said that when I read through it I did think there was something missing so might rewrite the while thing. I am going to do some writing exercises, and write it out as a story, then adapt it to script.

Staff Notes:
As you have it below Ronan, nicely summarised. I think if you try a 'digested read' of a particular story - but in your own style, rather than mimicking the author's - this might give you a spark as to how to develop your story. I think the general lunacy/surreality of your work has appeal, and pokes fun at an established genre, but as we agreed, it would great if there was a bit more substance beneath it.

Target 1: Find John Crace's "digested reads" online and read a few, particularly of authors you may know. (Deadline: 26-11-2012 )
Target 2: Try writing a 'digested' version of a book/film/story you know. (Deadline: 26-11-2012 )

Saturday, 17 November 2012

Intention

For this year I intend to make animated short film. It will be stop motion using plasticine models with wire aluminium frames and magnetic feet.

This film will be a general spoof on clichés of films such as si-fi, superheroes, and any other that may come into mind.

Wednesday, 14 November 2012

Will I have time?


I was advised the other day at a formative assessment, by my tutor Sam, that I shouldn’t carry on with my anomatic for the time being and do another storyboard. I think this a wise decision too. I have the sound and know that the film will be at least ten minuets long, there are also new bit in it and bits taken out. At the moment it is quite long, but with the right scheduling I think I should be able to achieve this.

I have before now animated a film lasting 3.53 minuets in two days. This was for the 2009 Minghella film festival and it cam 2nd in the under 19s category and shown in the deluxe screen at ciniworld.

Angles of Camera


I’ve been thinking about camera angles. In a lot of films with heroes and villains the director puts the camera on a slant to indicate they a character is evil. You can see this in Batman the Movie (1966), right up now modern films like Ironman (2008.)

I'm going to play on this at where instead of the camera being at a slant, the set is.

Sunday, 11 November 2012

FoolHardy Films


For my research into my future I’ve been looking at other freelance animators. Through the Aardman facebook page I stumbled across a great little animation called Dead Bird by someone called Trevor Hardy. I looked at his website and subscribed to his youtube channel. I like the style of his work; it has the right type of rawness that I love. It has that right level of crudeness but still retains a very profession look to a high quality standard. This is exactly the right balance and one I hope to achieve. I’m now sending a message to him to widen my contact list and to see what tips he can give me and how well he does in his profession.

FoolHardy Films Showreel 2011
 

Friday, 9 November 2012

Tutorial i


Monday I had my first tutorial with out new tutor, Sam Morrison. He has worked on various programs such as modern Toss and Pepper Pig, which he wrote for Brian Blessed. In our tutorial dated we discussed how I worked, my style, and what my intentions were for this year.
We talked about what I have done so far in terms of animation. I said about how I liked animation to be crude and not slick and clean. To me having things looking a little rubbish gives it more of an honest and natural feeling. Although, now I have experienced doing it for myself, I do appreciate the time and care that goes into CGI animation, I still prefer stop motion as CGI looks too clean and smooth. We seemed to both agree on this, and talked the way I would be doing my animation for this year like this.
Sam said about trying to get the balance with my gags so that I don’t have to keep explaining them but also people would get them. We also talked bout the script and you asked me to send a copy of the rough first draft. Hopefully he’ll be able to help me out with it putting in stage directions as that is a thing that I am not very good at.
The tutorial was very useful in creating more ideas, looking at what else I have to think about in terms of plotline, and us both getting to know how the other works so we can both help each other out, not just me I hope. I'm very much looking forward to the rest of this year and do hope Sam will be able to help out a lot in making my film to a standard I am happy with. We seem to have a very similar view on animation and
humour but are also able to appreciate other ways of doing things.

his notes to me were:

 Whilst I do agree that any type of animation is valid I also think they need to be justified. How basic do you want it to look? I think there's a balance to be struck between a carefree approach and a careless one, and you have to be careful that it doesn't look like you're not bothered. From your work-rate and multiple writing projects I can see you are. So - having looked at some of your work on youtube - I think you CAN push the animation more without sacrificing the comedy inherent in your writing. There was some lovely animation on there, so my thinking is you can look a bit more 'slick' without compromising your ideals. But this is for further discussion after I have read the script.


Sunday, 4 November 2012

The first part of my Anomatic


I did fall behind a lot, but I got a little bit of the anomatic done. I will finish it off.

Overhaul


Before I could start my anomatic, I had to do an overhaul to my models.