Tuesday, 11 December 2012

Book and Script: the next step


I have now finally finished the film in book form and turned it into a script. Over Christmas I have been set the challenge by my tutor of making a set. I didn’t do much last week; I was busy with other stuff. I still have a lot of contextual work to be getting on with.

Me and my tutor have talked a lot about building sets and how to make them better. We handed in our first module the other week and were given the next one yesterday. It is basically carrying on, and by February we should be ready to begin filming, witch is a bit of a scary thought, but I hope I can do it and will try my hardest. If I am honest, since I handed in the last module, I haven’t done as much as I have been, hence not having much on here. But now I'm going to start working harder again.

Friday, 30 November 2012

more credits


The other day I noticed something about the superman opening credits. They are very similar to the ones from Fireball XL5, which I have previously looked at. I thought that the people who mad Superman may have also been inspired by those closing credits.

 
The ones for superman returns are even more like it though with more planets.

They were also parodied in the film, Frequently Asked Questions about time travel. I can’t find a clop on youtube for that though.

Saturday, 24 November 2012

Screenwipe




Charlie Brooker did a series on BBC4 called screenwipe where he looked at TV. One episode from series three he talked to various different writers. It’s given me some good tips on how to do my script better and how to go about writing it. Graham Linehan is one of my favorite comedy writers. He is responsible for such things like Father Ted and Big Train. He is interviewed on the program and listening to him it sound like he approaches writing in the same way that I do.
 
After watching this, I came to the conclusion that there is no one way to write something, everyone has there own way of doing things. Lot of what these writers say contradicts what the other says. In Briton, sitcom writers tend to write in ether pairs, or on there own. In America, someone will come up with an idea and then a team of writers will be hired to write for the show. That’s one of the reasons American sitcoms go on for maybe 10 series and maybe have 20 episodes in each series, or season as the Americans call them, while British sitcoms might only have 2 or 3 series with 6 episodes in each. I much prefer British ones, they aren’t as in your face, and they are much more subtle. Also, as they have the same writers for the whole series, they have more of a consistent tone.

Thursday, 22 November 2012

Casino Royale: the basic story part one


James Bond was a secret agent. He was sitting at a table playing cards with a pale faced, clean shaven asthmatic man with red-brown hair, brown eyes, false teeth, a woman’s mouth, and very small ears.

This man was Le Chiffre; he was paymaster for SMERSH, a group of generally nasty people whose money Le Chiffre had been gambling with. Bond had been sent to Casino Royal in northern France by M, the head if the secret service, to play a high stakes poker game in order to leave Le Chiffre penniless, and in the bad book with  SMERSH who would very likely send him to the naughty step to think about what he had done. On the other hand, if Bond were to lose, the government would have funded an international terrorist organization.

Bond was an “00” agent, who at any time was expected to kill in cold blood. There were only three with that rank in the secret survive, but instead of sending Bond to kill Le Chiffre, they decided it best to send him on a mission to play cards because they were both good at that too.

 

Bond was feeling tired now, he had been playing all day. He decided he’d call it a night so went about leaving the casino. He had assessed how easy it would have been to rob the place in the past days he had been there, and also the playing habits of Le Chiffre. He had come to the conclusion that Le Chiffre wouldn’t try robbing the casino. With his asthma he’d probably run out of breath on his getaway.

Once in his room Bond started checking all his little makeshift security systems. The single strand of hair on the draw of the desk lay undisturbed. The talcum powder on the cloths cupboard door, immaculate. Inside the toilet system he had scratched a mark on the copper ball-cock, just to check the water was the same level. You would think this all to be all rather odd behavior, especially that last one. But this was the usual thing to do if you were a spy. See, not so glamorous now is it? Spies are a little OCD, and very paranoid characters. They think everyone is out to kill them. But in all fairness, there probably are a number of people out to kill them.

Satisfied that no persons of an uncouth nature had had the nerve to relive their selves in Mr. Bond water closet, he sat looking out his window for a while, then stuffed a wad of banknotes under his pillow, as that is a very secure place, and went to bed. His last act before drifting off to sleep was to slip his hand under his pillow, and rest it on the butt of his gun.

 
The plan to take down Le Chiffre had been handed to M by the head of S, who concerned themselves with the Soviet Union.

“Now look here Bill,” he had said to Ms chief of staff, “I want to sell something to Chief.”

“What do you think Penny?” Bill had asked Ms Secretary Miss Moneypenny, a well loved character who did not appear in the 2006 film adaptation.

“Should be alright.” she had said. The head of S handed Bill an envelop with a red star on it, indicating that it was top secret. Bill pressed a switch on his desk and spoke into an intercom.

“Yes,” came the voice of M.

“Head of S has an urgent document for you.”

“Bring it in.” Bill crossed the room and walked through the door leading to the big mans office. A moment later he came out and a little blue light over the entrance came on as a warning that M was not to be disturbed.

 

Later, the head of S said to his number two man in a triumphant sort of way:

“He said that last picture was supervision and blackmail, it nearly got us cooked. He approves, though he thinks it’s a crazy idea.”

“Well I am incline to agree.” Said his number two man.

“How so you mean?”

“Well we know Le Chiffre is paymaster to SMERSH don’t we?”

“Yes.”

“We also know he’s a formidable and dangerous agent of the U.S.S.R.”

“Yes.”

“He carries razorblades in his hatband, and has no first name, a clear indication that he’s an agnostic to us.”

“Yes, so what is your point?”

“Well, can’t we just go and arrest him now? Wouldn’t that make more sense than to gamble with the possibility of lining his pockets with the taxpayer’s money so that he doesn’t get in trouble with his bosses? Or just kill him ourselves. I mean we are sending in a “00”, they are trained to just kill in cold blood.”

“No, assassination is pointless. Leningrad would just quickly cover up his defalcations and make him a martyr.”

“So? I still don’t see…”

“We’re just doing it this way alright? It’s more interesting and fun. I'm the boss here, and I want to do it this way.”

“Ok then sir, I suppose it’s your train set.”


This had happened two weeks ago now, and James Bond was now two days into his stay at Hotel Splendide reminiscing about the history of the case thus far.

He had spent most of his stay in the casino with the cover of a Jamaican plantocrat, and had made three million francs.

This morning after breakfast he recived a phone call telling him that the Director of Radio Stentor was here with the wireless set he had ordered from Paris.

“Of course,” Bond had said, “send him up.”

Soon Bond was joint by Mathis, the liaison man for the Deuxierne Borcan. Director of Radio Stentor was the cover he had been given.

“Here is the set you asked to have on approval – five valves,” he said to Bond.

“Sounds alright.”

Mathis turned on the set to full volume and pointed to the ceiling.

“My dear friend, you are blown. Up there either Monsieur Munztz or his wife are listening to you. Hopefully right now defended by the set.”

Bond made a face, they carried on play acting for a bit before they got down to busyness.

“Your number two will be here soon, she is very beautiful.”

“Why do you want to send me a bloody woman for?” bond frowned, “you think this is a picnic?”

“Calm yourself my dear James, she is as serious as you are, and as cold as an icicle. She speaks French like a… well Frenchman and knows her job backwards. I have arranged for a meet. It’s only natural that a man with a cover like yours should pick up a pretty girl.”

“Any other surprises?”

“Nothing much, just come to the Hermitage before lunch for the meet. Then onto the Casino in the evening, with her. I’ll be in the background keeping an eye on you, and there’s an American the CIA sent over by the name of Leiter, London told me to tell you. He might come in handy.”

Mathis then turned off the set. He and Bond exchanged pleasantries about the tone of it and how Bond may want to purchase one. Then Mathis left Bond alone to think. Nothing that had been said to him had sounded good. His cover had been blown the moment he had arrived two days previously, and at this moment people were listening to him. Then there was this pest of a girl who had been sent over. A woman there would only complicate things with their feelings and emotions.

”Bitch,” Bond said out loud, then “bitch,” again.

Upstairs, Madam Munztz was listening in on Bond and wondering what the Director of Radio Stentor could have possibly done to warrant Bond calling him bitch after he had gone.

Wednesday, 21 November 2012

A digested read of Casino Royal

Today I’ve been doing what my tutor Sam suggested, “try a 'digested read' of a particular story - but in your own style, rather than mimicking the author's.” So I’ve decided to do Casino Royal as it’s a book I really enjoyed and also have recently read. As I am going to be doing it in my own style, I’ve decided to go through and pick it apart to try and point out some of the silly things in it. on How It Should Have Ended they do this with films, and did it to the 2006 adaptation of Casino Royal.

Monday, 19 November 2012

Re-doing my story

I'm now writing it in story form and have briefly looked at John Crace online; I will look more at him tomorrow.
At the moment I am reading Moonraker, the third James Bond novel, I’ve also read all the Sherlock Holmes books, so I'm going to see if I can drew any inspiration from those as well as carrying on looking at superhero films and comics, breaking them down, and analysing what traits they all follow.
http://www.guardian.co.uk/profile/johncrace

I’ve also read other series, like the Dirk Gently books, and The Hitchhikers Guide to the Galaxy.  I’ve also read 25 Robert Rankin novels, but these are already humorous books, so I think although they will be useful, the more serious books would help. The script for the film Airplane! Was taken from a real disaster film, and they added the jokes after. I thought I might try that approach too.

Tutorial ii: THE SCRIP REVIEW


Today I had another tutorial with Sam and then went home and summarised it. He then set me some deadlines.

 
Student Notes:
Today we looked over my script and talked about how it could be improved and formatted. We discussed that there was a general theme of silliness and poking fun at things, but there needed to be more of a backbone to the story. There was one there, but we both felt it lacked substance so needed to be stripped back and looked over. You suggested I looked online at some classic stories and take inspiration from those plotlines. Also to look at the Guardian writer John Crace.

I said that when I read through it I did think there was something missing so might rewrite the while thing. I am going to do some writing exercises, and write it out as a story, then adapt it to script.

Staff Notes:
As you have it below Ronan, nicely summarised. I think if you try a 'digested read' of a particular story - but in your own style, rather than mimicking the author's - this might give you a spark as to how to develop your story. I think the general lunacy/surreality of your work has appeal, and pokes fun at an established genre, but as we agreed, it would great if there was a bit more substance beneath it.

Target 1: Find John Crace's "digested reads" online and read a few, particularly of authors you may know. (Deadline: 26-11-2012 )
Target 2: Try writing a 'digested' version of a book/film/story you know. (Deadline: 26-11-2012 )

Saturday, 17 November 2012

Intention

For this year I intend to make animated short film. It will be stop motion using plasticine models with wire aluminium frames and magnetic feet.

This film will be a general spoof on clichés of films such as si-fi, superheroes, and any other that may come into mind.

Wednesday, 14 November 2012

Will I have time?


I was advised the other day at a formative assessment, by my tutor Sam, that I shouldn’t carry on with my anomatic for the time being and do another storyboard. I think this a wise decision too. I have the sound and know that the film will be at least ten minuets long, there are also new bit in it and bits taken out. At the moment it is quite long, but with the right scheduling I think I should be able to achieve this.

I have before now animated a film lasting 3.53 minuets in two days. This was for the 2009 Minghella film festival and it cam 2nd in the under 19s category and shown in the deluxe screen at ciniworld.

Angles of Camera


I’ve been thinking about camera angles. In a lot of films with heroes and villains the director puts the camera on a slant to indicate they a character is evil. You can see this in Batman the Movie (1966), right up now modern films like Ironman (2008.)

I'm going to play on this at where instead of the camera being at a slant, the set is.

Sunday, 11 November 2012

FoolHardy Films


For my research into my future I’ve been looking at other freelance animators. Through the Aardman facebook page I stumbled across a great little animation called Dead Bird by someone called Trevor Hardy. I looked at his website and subscribed to his youtube channel. I like the style of his work; it has the right type of rawness that I love. It has that right level of crudeness but still retains a very profession look to a high quality standard. This is exactly the right balance and one I hope to achieve. I’m now sending a message to him to widen my contact list and to see what tips he can give me and how well he does in his profession.

FoolHardy Films Showreel 2011
 

Friday, 9 November 2012

Tutorial i


Monday I had my first tutorial with out new tutor, Sam Morrison. He has worked on various programs such as modern Toss and Pepper Pig, which he wrote for Brian Blessed. In our tutorial dated we discussed how I worked, my style, and what my intentions were for this year.
We talked about what I have done so far in terms of animation. I said about how I liked animation to be crude and not slick and clean. To me having things looking a little rubbish gives it more of an honest and natural feeling. Although, now I have experienced doing it for myself, I do appreciate the time and care that goes into CGI animation, I still prefer stop motion as CGI looks too clean and smooth. We seemed to both agree on this, and talked the way I would be doing my animation for this year like this.
Sam said about trying to get the balance with my gags so that I don’t have to keep explaining them but also people would get them. We also talked bout the script and you asked me to send a copy of the rough first draft. Hopefully he’ll be able to help me out with it putting in stage directions as that is a thing that I am not very good at.
The tutorial was very useful in creating more ideas, looking at what else I have to think about in terms of plotline, and us both getting to know how the other works so we can both help each other out, not just me I hope. I'm very much looking forward to the rest of this year and do hope Sam will be able to help out a lot in making my film to a standard I am happy with. We seem to have a very similar view on animation and
humour but are also able to appreciate other ways of doing things.

his notes to me were:

 Whilst I do agree that any type of animation is valid I also think they need to be justified. How basic do you want it to look? I think there's a balance to be struck between a carefree approach and a careless one, and you have to be careful that it doesn't look like you're not bothered. From your work-rate and multiple writing projects I can see you are. So - having looked at some of your work on youtube - I think you CAN push the animation more without sacrificing the comedy inherent in your writing. There was some lovely animation on there, so my thinking is you can look a bit more 'slick' without compromising your ideals. But this is for further discussion after I have read the script.


Sunday, 4 November 2012

The first part of my Anomatic


I did fall behind a lot, but I got a little bit of the anomatic done. I will finish it off.

Overhaul


Before I could start my anomatic, I had to do an overhaul to my models.












Wednesday, 31 October 2012

Plan B


I put my battery on charge at about twelve and just looked at it. it seems that I hadn’t properly put it on, so it never charged in the end. So I'm going to have to go to plan B now.

I said that my aim was to do an animation or an anomatic, so I'm going to have to do the latter of the two as I have run out of time to do a animation, no matter how crud, in the time I have left before I have to go back to Plymouth. I'm going to re-evaluate my schedule now. for the rest of the day I’ll do odd bits and try and relax a bit as I'm not in the best of moods as a lot of thing have gone wrong, but that is why I had a backup plan to do an anomatic instead. It will still set out the timing of my film and help me develop camera angles, it just won’t have as much motion. I can do all that in a day too. I will however at some point do a test animation.

Running late


The animation process isn’t going too well. I left my camera at Plymouth, but fortunately do have a video camera that takes stills here. The battery however is taking hours to charge. I also left my tripod behind, so I went out a got another one. I have finished building though, and recording my voice. But I think the animation wont be done for when I hoped for. I wanted to have done at least the first scene by now, only about 30 seconds, but I haven't even started. while the battery is charging though, I'm going over the sound to get the timeing right.

Thursday, 25 October 2012

Beginning, Middle & End lines


Beginning

   Brian gets a call on his phone informing him that he needs to save the world.

Middle

   Brian and Monty go to the bar to find a pilot

End
they all end up on the moon where they defeat the evil white rabbit.

Storyboar Two: part two

Here is the second part of the storyboard.



Wednesday, 24 October 2012

Special effects


I was also set up on a teaching program called Lynda. It will show me some after effects, this will come in handy when I have the space crafts flying through space. For the lasers the guards have though, I'm going to experiment. As it should look a little rubbish in effects, so I’ll have strings showing, I'm going to see what looks better, a laser beam done in after effects, or one made from paper to look like the Dalek beams in the 60s Doctor who.



I'm going to have to look at how much special effects I have as it is meant to be slightly B-Movie.
I have experience of doing that sort of thing too. in high school, me and my friends did a B-Movie trailer using special effects and still having the strings showing. I did a little animation in it.

Reading Week


Yesterday I had another talk with my tutor. We talked about when our next tutorial will be. Next week is reading week and I’ll be on the Isle of Wight with my parents so there will probably not be anything being posted. My plan though is that now I have the basic script done, I will do a ether an animated run through or anomatic. This way I can get an idea of how long the film will be and work on the camera angles.

Tuesday, 23 October 2012

Closing credits

For my credits I want to have something like the Fireball XL5 end ones. I'm drawing inspiration from it anyway, I like the planets moving across and if you look at the opening credits to my old Brian Film, then you will see I have planets spinning round in that. I just want to update it really.


Film Score


The other day I talked to my Brother about doing the music score for my film. He has been doing my music since 2010 when I entered a film festival and came second in the under 19s category. The theme was “a good day on for the Isle of Wight.” I sent him character drawings and ideas of tunes to take inspiration from, and we will be discussing further about how it will sound.

Sunday, 21 October 2012

Post Credits

 
After the credits of the 2008 film Ironman, Samuel L. Jackson turns up as S.H.I.L.D. director, Nick Fury, to talk about the avengers. Not the British soy-fi series from the 60s, which is better, but the superhero team of the same name. When I saw this, being a great Marvel comic fan, I was so exited.

I showed this film to my friend last year, and ever since, every time we watch a film he jokingly asks if Samuel L. Jackson is going to turn up at the end. So I thought I might just parody it in my film. I'm not overly sure though as I didn’t want to directly parody anything, just genres, but it’s another thing I can think about.
 
 

Thursday, 18 October 2012

Hat


When I first made Brian he had a different hat. In my film the professor gives him a new hat, so I thought at the start of the film Brian could be wearing his original hat.

Wednesday, 17 October 2012

Storyboar Two: part one


I have done more storyboarding to part of the script I have done. so far I’ve done a vague script that will need bulking up, but the basic story is there. here is the basic storyboard up to the point where they go to the moon.

Tuesday, 16 October 2012

Storyboard, script, and editing


I have been working on my script and drawing my characters to try and develop both them and the story. Drawing them has helped come up with new ideas and get to know the way I think they’ll move.

 
I have taken lines out of the script and drawn panels of them, although things I know will change. Once the script is done as a first draft, I will do a more solid storyboard. Then I’ll be doing a crewed read-through and making an animatic to set the timing. This will help for changes to camera angles, and possibly the story as things might not work once on screen. With animation, because it is such a long process, you don’t want to animate things that won’t be used. So the editing starts at the storyboard stage.

Sunday, 14 October 2012

Titles


I was thinking over how I should do the opening titles to my film. I wanted to do an epic titles sequence parodying all those action films like star wars, then I noticed something. At the start of the film Brian gets a call on his phone telling him he has to save the world. I watch the 1960s Batman, and at the start of the episode, that is how Batman is called into action before the titles come on. This wasn’t a deliberate thing I had thought of doing, but now I see the resemblance, I think I might do it in that way.

Wednesday, 10 October 2012

A change of scene


At some point in my animation I want to have something like the spinning bat logo to change scene. It was suggested to me by a friend who noticed that I watch things that change like that. Another one he used as an example was the staccato beat in Captain Scarlet, and the Transformers one,so I thought I’d pay homage to those sort of things.
Any suggestions to what I could use?
 
 

Shorter Synopsis


Brian is a penguin in a hat. One day he gets a phone call informing him that he must once again save England. Along with his friends Monty Man, Professor Henry Kosher and Kasey Kay, he travels to the moon to defeat the evil White Rabbit and his giant laser. The white rabbit escapes, but will be back.

Contextual view on PC: what can I not have in my film?



This year in my contextual studies I am looking at old cartoons and asking how they have changed in terms of what you can and can’t get away with now. I will be covering the issues of race and stereotypes, what rules are laid down, and if this is a good thing or not. Are cartoons not as fun and free now?

We talked in class the other day about what we could and couldn’t put in our animations, so this is quite good that I am doing this. I have a separate blog for this also. I have just reviewed Dumbo for it, and came to the conclusion that things are so strict now, that a innocent little film like this would not be allowed to be made in this day and age.

http://rjdscontextual.blogspot.co.uk/ 

Of course my audience isn’t meant to be exclusively for children, I want it to appeal to a wider audience, although it wouldn’t appeal to everyone. One of the things I need to do is research my audience.

Tuesday, 9 October 2012

schedule


Last week I came in after being at the pub, and before I went to bed I wrote out a list of things to do the next day, and because of my stubbiness I did it all or it would have been admitting defeat. So I decided, although I have been told to do it many times, to make a schedule. I think it was because I did it myself that it worked. I made one this week and tonight I’ve started next weeks.

After setting times to do my work in, it’s surprising how much free time I get, which is handy as it gives me time to catch up on reading, privet animation, and writing. Batman the 60s series is great for inspiration; it comes out with great lines. Also my housemate likes Jeremy Kyle, and that also comes out with some funny stuff. So I sit with my work and when I hear something funny I write it down.

Saturday, 6 October 2012

What I want Brian to look like


So far when drawing Brian, he has been taller then the actual models I’ve made. I don’t want that. I want him to be short and dumpy. In my life drawing class, the tutor said I should draw an observational drawing of him, so that’s what I did, and that’s what I want him to look like.

These are the old models of the main cast

2007

2010

What I have been up to


For the past couple of days I’ve been working on a weekly schedule so I can plan out what I need to do. I’ve also been developing different ideas I can use in my plot, along with writing a script.

I’ve been helped by my friend who will most probably help more in the writing process. He has come up with some of the gadgets and acted out the professor saying how they would be introduced. From this I’ve been able to bounce ideas off him and it’s going well like that. I’ve also been doing a bit more drawing to get to know the look of the characters more so that when I cone to make the final models they will look their best.

They have been made twice before. Once in 2007, and again in 2010 with a better skin colour. But I want to got their look to be slightly updated as I think my style has progressed more since then.

Friday, 5 October 2012

Brian Synopsis

Brian is a penguin in a hat and the most brilliant hero our world has ever seen.

One day he gets a phone call informing him that he must once again save England, which is being held at laser point. He recruits his good friend Monty Man, and the two of them go off to save the country.

Their first stop is that of Professor Henry Kosher, a quite bazaar character with a range of extraordinary inventions and ideas from the landmine mitten, to his boomerang scarf. He gives the two space suites, some fish repellent, and a new improved hat for Brian to help him in any sticky situation he might find himself in.

After they are fully equipped in the latest gadget the professor has to offer, they leave him to run away from his angry neighbour, whose house has just been destroyed by the unstable rocket in the garden.

They go to a café to find a pilot with a ship who would be willing to risk their life to fly them to the moon, as that is where they assume the evil people will be, for a hansom amount of tealeaves. There they find Kasey Kay, a redheaded pilot, with her own space van, and own busyness card. After flying to the moon and finding the well marked secret evil moon base, they are soon captured by the evil White Rabbit and his butler, Butler.

Fortunately the professor suddenly knows that they are in danger so gets his bike out and cycles to the moon to rescue them. He performs several different types of martial arts one the guards from Tai chi to kung-foo.  Then sits down for a cup of ty-phoo tea.

Finally, there is an epic battle where The White Rabbit reveals that he is indeed Brian’s father as an attempt to escape. This ploy does work, and he escapes in his space craft, but not before activating the self-destruct system leaving our four heroes in the greatest of perils. But they too escape just in the nick of time and live to fight another day. They’ll be ready for the White Rabbits return.

Wednesday, 3 October 2012

Initial Storyboard


This is the initial storyboard in rough sketch.

Cast


This is the main cast. Brian, Montgomery Man, Kasey Kat, Professor Kosher, Butler, and The White Rabbit.

First Ideas

These are the pictures, set out in a sort of storyboard, which I showed to my tutor. The basic plotline being that Brian gets a call saying he has to save the world from a giant laser, so he and Monty Man go to Professor Kosher for some gadgets. Then they go on to a bar to find someone to fly them there where they encounter Kasey Kay. She takes them there in her van, but on arrival they are captured by the White Rabbit and his butler, Butler, and incarcerated. Fortunately the professor just happens to think they have so cycles up there, performs martial arts on the guards and frees them.

Finally there is an epic battle where the evil moon base is destroyed. Everyone escapes, but unfortunately the White Rabbits and Butler get away.
Any ideas you might have to add please do tell.

Poster


This is a first quick draft of a post for my film, just to use to introduce it to my class.

Tuesday, 2 October 2012


This is a film I made back in 2007 using Brian and Monty. They are established characters and have proven to be popular. People ask when I am going to bring Brian back. The story I want to do this year I have been thinking about for about five years now, but have never got round to doing, like many of my ideas. This is the sort of thing that it would be like, but would have developed since and the new story will be better.

Tutorial

Today I had a tutorial with my tutor regarding my idea for my film this year. These are the notes. You’re working on a script. Have been working on a storyboard. We looked at the highly worked up pictures and you described the story. The characters and the action. You don't want to make direct parody but more the cliché present in a genre of film. Your brother is going to do the music. It's going to be stop frame, plasticine models with an aluminium wire frame. Tutors immediate feedback: Brilliant drawings and some really amusing characters. What stands out for is the drawing of the professor in goldfish bowl and the carrot. That has a sense of originality and depth to the humour. Whilst it's great to see the work involved in the drawings, it would be really good to work in a way that you can explore ideas in a more sketchy way. Get feedback and then work up when you’re at the final stages. Now you have a core of an idea. Write it up. Synopsis beginning, middle and end. What is the story? Target 1: Try and look more critically at images/works, and develop a critical vocabulary Target 2: Reading film/animation journals and magazines will help you to further develop your own writing Target 3: Update your statement of intent to reflect the progress made and more detailed intentions of the production.

Hello

Hello, and welcome to my blog for my BA top up year at Plymouth collage of art where I am studying animation. On here you will see how this year’s film develops, and ideas I have. Any ideas and comment will also be very welcome indeed, and could really help me on my way.